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Mount Kilauea, Hawaii - Eruption Timeline, 2019

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Kīlauea Volcano TIMELINE Kilauea is on the island of Hawaii (southeast corner) It has been erupting continuously since 1983. But by May of 2018, a new eruption sequence had commenced, with two focal points:     1. a flank area known as the "lower east rift zone", and     2. the "Halema’uma’u crater" to the west at Kilauea’s summit. MORE INFORMATION Webcam image s: https://volcanoes.usgs.gov/volcanoes/kilauea/multimedia_webcams.html Photos/Video : https://volcanoes.usgs.gov/volcanoes/kilauea/multimedia_chronology.html Lava Flow Maps : https://volcanoes.usgs.gov/volcanoes/kilauea/multimedia_maps.html Definitions of terms used in update: https://volcanoes.usgs.gov/volcanoes/kilauea/extra/definitions.pdf Overview of Kīlauea summit (Halemaʻumaʻu) and East Rift Zone (Puʻu ʻŌʻō ) eruptions: https://volcanoes.usgs.gov/volcanoes/kilauea/extra/background.pdf Summary of volcanic hazards from Kīlauea eruptions: https://volcanoes.usgs.gov/volcanoes/kilauea/extra/hazard...
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The Storyville District: Prostitution in New Orleans 1897-1917

The Storyville District When: c.1897-1917 Where: This Red-Light District could be found by connecting these dots.... - The 400 block of South Rampart - The Eagle Saloon: at the block’s downriver end, by Perdido Street - The Iroquois Theater: 413-415 South Rampart St. The Storyville District was a legalized prostitution district associated with the early development of New Orleans-style jazz c.1897-1917.      Romanticized by early historians as "The birth-place of jazz", this red light district included brothels, bars and dance halls where jazz artists performed and socialized. 1920's the 400 block of South Rampart Street is a veritable cradle of jazz, an unmatched grouping of key sites in the music's birth. Eagle Saloon At the block’s downriver end, by Perdido Street, the father of jazz, Buddy Bolden, honed his act at the Eagle Saloon. the Iroquois Theater 413-415 South Rampart St.  Up the block a bit Louis Armstrong, won a talent show — in whiteface — at the Iroquoi...
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The Hidden Message in Pixar’s Films

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The Hidden Message in Pixar’s Films By  Kyle Munkittrick,  May 14, 2011 this is how an essay should be written. the author doesn't knock you over the head with the idea that he's trying to prove. instead, he presents evidence and examples that finally lead to his conclusion [His Thesis, THEE-sis], his idea.  I love Pixar. Who doesn’t? The stories are magnificently crafted, the characters are rich, hilarious, and unique, and the images are lovingly rendered. Without fail, John Ratzenberger’s iconic voice makes a cameo in some boisterous character. Even if you haven’t seen every film they’ve made (I refuse to watch  Cars  or its preposterous sequel) , there is a consistency and quality to Pixar’s productions that is hard to deny. Popular culture is often dismissed as empty “popcorn” fare. Animated films find themselves doubly-dismissed as “for the kids” and therefore nothing to take too seriously. Pixar has shattered those expectations ...
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